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2. The Smithsonian Museum of African Art

2. The Smithsonian Museum of African Art

Museum, Corporate Collection
30 Nov 2010

Hide: to withhold or withdraw from sight mezzotint with perforations and silkscreen, 610 X 2 480mm https://africa.si.edu/collections/view/objects/asitem/Objects@19407/4/title-asc?t:state:flow=8b5940a9-0c70-466c-9e15-046db725810415. Further Reading: Bunn, D. 2007  A Sidelong Glance: Christine Dixie’s Thresholds. Corporeal Prospects catalogue. Johannesburg, Standard Bank Gallery Exhibition  

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4. The Smithsonian Museum of African Art

4. The Smithsonian Museum of African Art

Museum, Corporate Collection
30 Nov 2010

Unravel Mezzotint and linocut 1 550 x 960mm,  Edition 10. https://africa.si.edu/collections/view/objects/asitem/Objects@19405/8/title-asc?t:state:flow=4389901b-8d5b-452a-ac49-f12a27b27984 Publications: Walters, J and Schmahmann, B. 2008. Against the Picturesque: Christine Dixie’s Bloodspoor. Johannesburg: De Arte 77, 2008. Dixie, C. Unravelling the use of engraving in Unravel (artist’s talk)

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2. The New York Public Library

2. The New York Public Library

The Terrain Thresholds
Museum, Private Collection, Corporate Collection
30 Nov 1998

Thresholds 1997, Eleven works in the series. 6 prints 300 x 400mm. 5 prints 350 x 260mm, Edition 20. Christine Dixie's work is concerned with landscape. However, it is also interested in the relationship between vision, surveillance, and trauma. Instead of the azure distances and aerial perspective we find in topographical illustration, her printmaking offers a different view of gendered, threshold spaces. (David Bunn, 1998) Collections:  The New York Public Library The Nelson Mandela Metropolitan Museum Sanlam Art Collection Further Reading: Bunn, D. 2007  A Sidelong Glance: Christine Dixie’s Thresholds. Corporeal Prospects catalogue. Johannesburg, Standard Bank Gallery Exhibition Schmahmann, B. 2004  ‘Enactments’, in Through the Looking Glass: Representations of Self by South African Woman Artists. David Krut Publishers, Johannesburg

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